The Keepers & the Makers

The tradition with me and my folks is that, come Mother’s / Father’s Day, Xmas, and sometimes birthdays, I draw them something.

The themes vary…  sometimes, it’s a drawing based on a meaningful photo.  More often, it’s my own drawn response to something in our relationship, or something that’s been going on in their lives recently.

My Mom and I have many more “deep personal” conversations than my Dad and I, so when it comes time to make art for Dad, it sometimes takes a bit more feeling / teasing out, or just letting go and making something even I don’t have a good interpretation for.

For this Father’s Day, however, Dad unknowingly gave me some great, rich material to work from.  It happened during a phone call about a week before, while I was driving home from Anderson, IN.  My favorite talks with him are his stories, and this time what he ended up sharing was an especially rare kind of story involving his father.

My Dad  (photo pictured by Luca Guarneri)

My Dad (photo pictured by Luca Guarneri)

*  *  *

I never met my grandfather, Don Doner, but have heard many stories.  (Neat fact: the men on my Dad’s side go “John, Don, John, Don, John” generationally.)   He grew up humbly in Toledo, OH. All suggest that he was a man of high intellectual caliber, rogue independent spirit, great inventiveness and musical ability (he played 8 instruments).  He gardened, knew electrical work, carpentry and general fix-it-try.  People-wise, Don related better to his rooster, Blackie, than most human beings, and was a “doer” with a great many pursuits and projects going on at any one time.

Anyway, that day while we talked, Dad began telling me about the time in college that he got a super well-paying summer job that enabled him to get enough money (and courage) together to propose to my Mother.  He was hired by his father’s friend who owned a roofing company to help with overflow repairs from a recent tornado’s wake.  (“If it wasn’t for that tornado, you might not be alive!” he joked.)

Thanks to his father, my Dad was already handy enough to be open to learn roofing on-the-fly.  Also thanks to his father, he had his own abundant supply of shingles in all shapes and sizes at his disposal, thanks to his dad’s habit of collecting any and all things that might one day be useful to someone.  Today, I think we call these people “hoarders.”

We also talked about his Dad’s habit of collecting things — building stuff, electronics stuff,  random stuff.  I’ve always loved (in a jealous kind of way) Dad’s stories of accompanying his father on trips to the City dump, which in that day was open to anyone who wanted to come pick through what people threw away.  Together they discovered treasures galore — the most darnedest things! — and took them home to give them new life (or to sit in waiting for the day they could be useful).

This tendency came in handy all the time, when you could just go down to the basement or out to the shed because Don had put that exact size screw or wire or piece of wood aside several months ago, “in case.”  And of course, it came in especially handy for my Dad’s summer roofing job.

Dad also told me — and I think he got that little emotional frog in his throat at this point — about how his father, busy as he was, would never fail to drop whatever he was doing at the time if he saw my young Dad stuck in one of his own tinkerings.  (My Dad, when little, loved to take things apart and reassemble them, play with chemicals, etc. etc.)  He shared how much that means to him, thinking back now.

 

 

DadsOnRoof

My Dad (lower) and his Dad, tempting fate on a mad mission to fix their antenna.

 

*  *  *

My father’s father, of course, was of the generation that had lived through a war (or two?), and had come to appreciate the value of things through experiencing a scarcity of them.  As an outgrowth of that, he held fast to that spirit I find so beautiful of hearty do-it-yourself-ism — of making and doing, (and always being ready to build the skills to do so) and of keeping.

Dad has carried on many of his father’s gifts (but, I am told, is much better at talking to humans than his Dad was) and absorbed his spirit.  I grew up knowing the smell of sawdust from my Dad’s shed as he built things we needed around the house, and there was always some kind of invention (or four) in the works on one corner of his (hand-built) big workbench in the garage.  And, Dad always invited me, if I showed interest, in the process of his creations and experiments.

These stories move me because I feel this spirit in my veins.  Even as a kid, I found myself scavenging, like Dad and Granddad, though my source was the dumpster at my school and I had to be more covert in my lust for reclaiming rejected things than my predecessors.  I now struggle to fit that kind of lifestyle into this day and age, pushed as we are to see buying something new as better than renewing something old, or making something yourself…  or, if you’re making it yourself, gargantuan companies like Home Depot have created the perfect way to get you spending, rather than saving, lots of money consuming their version of DIY.

Knowing my father’s stories and spirit, and having climbed down into my father’s father’s basement — packed with needful things in ordered stacks, shelves, drawers of all sizes — I long to revive a culture of keeping, building, sharing, making as a way of life, not just a trend or fad.

Mixing this in with the also much-forgotten (but re-birthing) art of neighboring, what are the possibilities if we switched our lens on those people we now label “hoarders” and make sad TV Shows about…    what if the neighborhood hoarder were our neighborhood collector, and we new and valued them enough to know we could stop by if we’re in need of that random thing they very well may have, like my father’s father, stowed away for that “what if” day?

*  *  *

So, for Dad and his Dad, I made this drawing.  And following is the interpretation I shared with him about the stories contained within…

FathersDay2015_LR

 

I’m not sure if you can tell what’s going on in there, so here’s a summary:

 

I loved the story you told me about how your father would always drop what he was doing to help you with something you were trying to learn. So on the left of the picture, there’s you and your Dad (I don’t really know what he looked like) in the basement and he’s helping you with something you’ve been taking apart and trying to understand and put back together again.

 

The second scene is you and him at the dump. I always loved your stories about going there with him, partly because it made me realize how similar we are as “dumpster diving”- and the spirit of valuing things that others have ceased to see the value in–has always been one of my unshakeable habits. 

 

Bottom right there’s me, and those habits/values- of keeping things for when they’re need, of doing things yourself- that I’m grateful to have inherited from you and your father… There’s also the life I’m imagining and wanting to build-up where kids can run free together in their own neighborhoods. 

 

The rope looking thing, the hand (top right), the plant (more top right) are all kinda symbols of those things… And the rope thing also symbolizes lives, heritage, our shared story, and maybe DNA (now that I think about it).
Thank you for all you’ve passed down to me.  Hopefully someday soon you can be sharing your knowledge on how things work with a new little Doner 🙂

 

One of my favorite pieces of writing is this speech, entitled “Community Capacities and Community Necessities,” from one of my first community-building mentors, John McKnight — who helped found a movement to revitalize our forgotten ways of neighboring, DIY’ing and creating now known as Asset-Based Community Development (ABCD).

 

An excerpt:

“Ours is the movement of abundance. There is no limit to our gifts, our associations, and our hospitality.

We have a calling. We are the people who know what we need. What we need surrounds us. What we need is each other. And when, we act together, we will find Our Way. The citizen’s way. The community way. The democratic way. We are called to nothing less. And it is not so wild a dream.”

Posted in Art, Being an Artist, Building Community, Neighborhoods, People Who Inspire Me | Leave a comment

“Close enough”

Today as I was running errands, I caught some of Terry Gross’s “Fresh Air” on the radio. In today’s installment, Gross interviewed Lynsey Addario, a photojournalist who has been shooting in war zones for over 10 years and, after surviving two kidnappings, just came out with a new memoir.

Lynsey Addario, İstanbul Turkey, 17.10.2009

What struck me from the interview, besides how rich and strangely engaging someone’s voice can be after so many harrowing periods of immersion into mankind’s most brutal places, spaces and  moments, was a quote she shared from famous Magnum photographer Robert Capa:

“If your pictures aren’t good enough, you’re not close enough.”

Addario added that there are two ways you can read into this quote. “I always read into it more as not only physically close but emotionally close. And I think, as a photographer it’s very important to get emotionally close to your subjects and to really just break down those walls that exist between a photographer and anyone–because the minute you introduce a camera into any scene, people become aware of that and they become uncomfortable and a bit rigid. So it’s only with time and with feeling comfortable with someone that that goes away.”

She shared a story of spending two months with the 173rd Airborne troop, at the end of which they experienced an ambush from three sides in which three soldiers and the Sergeant were killed–an extremely sensitive moment to have photographers around.  In shock and mourning, these soldiers granted her permission when she asked if she could photograph them and their wounded or fallen comrades.

“Everyone was crying I was crying, and they said ‘Yes’ — and I think that was one of those moments that I was close enough, because I had put the time in and I cared and they were comfortable with me being there, and I’m not sure if that would have happened if I had just shown up the day before.”

"Veiled Rebellion" by Lynsey Addario. source: www.lynseyaddario.com

“Veiled Rebellion” by Lynsey Addario. source: www.lynseyaddario.com

 

*  *  *

For quite awhile now, I’ve been trying for awhile to figure out what kind of photographer I am, and this quote and story helped reaffirm my desire to make my photography always complementary to and, in a way, secondary to my work in/focus on building community, relationships and connection.

One of my greatest fears as a storyteller is to create harm or distance with my desire to document… especially in situations in which people who look like me have come before me and taken advantage of or otherwise harmed people who have been somehow marginalized.

And I’m not sure there is a way around that without taking Capa’s quote in the way Addario does — to mean genuine emotional closeness to the point that your intentions and your caring for you subject is understood.

My mother’s dear friend Mike died two nights ago. She had been the best of friends to him as he faced cancer and all that comes with it.  She shared his death with me over the phone and was at peace with it, since he had fortunately gone gradually with plenty of time for him and those around him to come to terms with the reality of it all.

Mom relayed Mike’s words during their very last talk:

“None of it matters, Kathy–the stuff, the things, the money, even the travel.  None of that matters.  The only things that really matter are friends and family.”

It’s so easy to fall in love with ideas and with the roles we have picked out for ourselves. But even those will fade, and what will be left is how we connected–or didn’t connect–with the humans we encountered while playing, constructing and reconstructing those roles through our lifetime.  And, ironically, the degree to which we do connect often decides how good our work is (Addario and Capa’s point).

I’m grateful today to the courageous Ms. Addario, who puts herself in harm’s way repeatedly to bear witness to the costs and baffling realities of war and war zones, for sharing this simple truth with me.  What matters is the friendship behind the work, behind the picture.  It reminds me not to spend my energy worrying about doing harm and instead to point it toward connecting, for real–putting in the time, knowing and being known.

my friends Nashae and her mom, Latoya, at Broadway Church (2013)

my friends Nashae and her mom, Latoya, at Broadway Church (2013)

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Polka Rising / Our Leadership Lens

I love when a new generation grabs onto old traditions and swings them back into life.  I love even more when they don’t grab it so hard that the older generations get left by the wayside.

I was stoked, therefore, to learn last year during a visit to Cleveland that the age-old practice of Polka is being dance merrily by young and old alike — in the same places, on the same nights — all across the city.  It happened over just a few years and, if you ask a lot of the people in the know, they’ll point to one guy:  DJ Kishka.

Here is an interview with some such folks, including Mr. Kishka himself, gathered at Grassroots Grantmakers’ “On the Ground” anti-conference in Cleveland last September.

It came about when, on the first night of the conference, a few attendees were dancing Polka with some fully-regaled locals in the meeting hall after dinner as Polka music bounced through the air.  I knew no Polka, but love to dance, and a young woman seemed to notice.  She had a cute white dress on, short blond hair, a friendly face, and a sash that said “Miss Dingus 2014.”  I gladly accepted her offer to teach me.  I learned pretty quickly and, surprised to see such a young person dancing such an old dance, asked how this was possible.  She shared about the amazing revival of this tradition in latter years there in Cleveland.

“How did this happen?” I asked.

“That guy,” Miss Dingus answered, pointing to the long-legged fellow perched happily in the corner of the room behind a card-table, donning a giant curly grey beard, old German-syle hat with his hands on the music machine.  This, apparently, was DJ Kishka and he had started it all.

I wandered some more and later saw the fully-Polka-costumed other young person from earlier, a young man with a (real) beard and dancing, smart eyes.  He runs a radio show that plays Polka.  I asked him if it was true that this DJ Kishka fellow has been so instrumental in unleashing a whole new Polka culture across Cleveland.  He not only affirmed the charges, but went on to rave about what a humble, dedicated and all-around great guy DJ Kishka is.

Wow!  I was blown away.  So I grabbed a quick interview with Miss Dingus and, despite the late hour, the super friendly DJ Kishka and his greatest fan, Andrew the Mailman.

I love this story for its timeless message of how much one person’s passion and perseverance, by unleashing the same in others, can ripple out and change things not just for them but for a community, city, and maybe even the world.

I love that DJ Kishka, an unassuming vegan catering owner, created this wave of polka love without really meaning to.  It speaks so much to how change can happen from the bottom up — through that spark of enthusiasm any person might carry and their decision to turn that enthusiasm into action.  It’s a great illustration of stuff discussed in one of my favorite books, Getting to Maybe: How the World is Changed.

I must also add that I think change happens just as much because of those who respond to the actions of the person who often gets given all the credit – those who this brilliant video about leadership calls “the First Followers.”  Folks experimenting and pioneering in generative journalism have told me how much they’re looking to tell a narrative that’s different than the same old “Single Leader” story in their journalism.

If we look at this story of what seems like “Single Hero” change with a slightly different lens, we can see that the loving memory of Polka-dancing has revived thanks just as much to the actions of the many people who added to the momentum in their own unique ways — “First (or Second, or 30th) Followers” like this video’s other characters Miss Dingus Day and Andrew the Mailman.

Technical Note:  Please excuse the camera shakes. These are the fruit of my first forays into shooting and editing video.  Feedback is WELCOMED!!!

Tell me…

What would you love to unleash in your city?  Or how are you supporting something you care about in a way that, like Polka in Cleveland, could become a cool new viral thing that makes life better for your city?

What do you think the story and the Dancing Guy video say about leadership?  How do they compare to your own experiences?

What kinda hoaky, yet adorable, traditions did you enjoy from your family?  (mine:  Prarie Home Companion)

 

Posted in Building Community, Local Events, Music, People Who Inspire Me, Public Space | Tagged , , , , , , , , , , , | 1 Comment

Nowhere Bird



Today’s blog is brought to you by Friendship and Spontaneity.

About a month ago, I got excited about a little doodle I’d done absentmindedly while listening on a conference call, took a quick shot of it with my handy new phone, and sent it around to a bunch of unwitting friends. Among them was my fabulously talented, fun and creative friend Anastasia.  She wanted to write a poem about it.  “Cool!” I said.

And so was borne an unholy collaboration borne from the dank, quirky, bottomless place where our minds’ most bizarre forces combined…  for your potential enjoyment:

artwork: April Doner

artwork: April Doner

 

Stark is the border of Nowhere and Elsewhere

Where the trees die long and the hot sands blow

Lonesome and tearless, skittish yet fearless

Pacing and watchful is Crass the Damned Crow

He watches all those who have been long forgotten

They dance the dance of the sour and down trodden

While Crass sings them songs of joyful strewn woe

 

But not a thought spared for Crass, this proud sentinel raven 

whose only companions are spectacularly graven 

and whose home only allows shadows to grow 

His sing song retribution, not to wake from illusion

and eternity’s bow he’s burdened to tow.

~ Anastasia Santerre

 

 

ABOUT OUR GUEST BLOGGER:

Anastasia

Anastasia Santerre came breakdancing out of the womb, confused, bemused and dizzy. Simply stated, it hasn’t gotten better since. She lives in Palm Bay, FL with her family where she spends her time spouting expletives and howling at the moon.


Posted in Art, Being an Artist, Collaborations, Poetry | Tagged , , , , , , | Leave a comment

Tweet! Awakening to Twitter

drawing

Woohoo!

Day Two of my Blog-a-Day rhythm.

So here’s something hopefully very useful: my learning from a learning session about using Twitter for social change I attended earlier this week.

Ironically, the reason this blog is happening is because of my friend Todd — for two

This is Todd. (source: facebook)

This is Todd. (source: facebook)

reasons.  First, it was partly because I knew Todd would be going to this class, “#UpReachIndy: Twitter Training, Tweet-a-thon, & Follow Party” Tues nights ago that I decided to peel my butt off the cozy bed, brave the winter night and drive a few blocks over to Kheprw Institute (a very badass community/person empowerment organization).  My friend Elle was going too, also an incentive.)  Second, by not actually coming to the class (Facebook RSVP’s are so untrustworthy, I swear!), and expressing his regret at missing it, Todd gave me the idea to put out my notes for his and others’ benefit who could not attend.

The class had a cool angle to it, which also got me off my butt much better than your typical “Learn Twitter” workshop may have:  “We will learn and practice twitter basics and use our skills to digitally organize around social justice issues.”

The other thing that was neat about this night was how much it reminded me that our inclinations are not always in our best interest.  I once heard at a Buddhist meeting that the highest force in the universe is connective — anything that pushes for separation is the opposite of that force, and we should fight it.  Very little in me wanted to leave my cocoon of isolation that night, but the benefits to my mood, my skill-set, and my social capital bank from that single push to de-isolate were beyond immense.

*  *  *

classshot wide

awesome roomfull of do-ers. source: Sacred Paths Church twitterfeed

 

Now, I’d pretty much filed Twitter in that “not worth my time” corner of my mind and life, having decided that keeping up with three online communication ports — Facebook, personal email, work email — was quite enough… especially because I’m trying to fight the modern trend toward choosing screens over face-to-face interactions.

But I figured, what the heck.  At least I’ll see my friend Todd, my neighbor/friend Elle and probably meet some cool people.  And maybe – just maybe – I’ll realize I’m wrong about Twitter, and it actually has a place in my life.

Yes, Twitter has now flapped its cute little bird way into my mind as a valid and useful tool for what I want to do in my life.  The first clue that this may be true was when class facilitator Elle, an amazingly articulate, brave social justice activist, online personality, writer, musician and local organizer of awesomeness, said that she used to feel exactly like she had no time to keep up with Twitter on top of Facebook and the rest of life.

All that to say, I’m now on board with using Twitter.  And here’s some of the handy stuff I learned at this class:

16459540875_cb05fe781a_z

Elle Roberts & Xander Gieryn of IAMCoop

 

1)  Twitter is Not Like Facebook

Yes, they both use a stream of constantly updated posts from people you’ve decided to link yourself to. And no, the main difference between Twitter and the Book of Face is not that Twitter limits your posts to just 140 characters.

The coolest difference is:  Twitter GUARANTEES that your tweet (the thing you post on twitter) will get seen by everyone who’s following you.  Your tweets go out in real-time, and will definitely appear in your followers’ feeds.  Facebook, on the other hand, is a total crapshoot.  You have no way of knowing whether half or more of any friends will see your posts.

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Elle explaining #hashtags

 

2)  Hashtags are awesome!

Because I LOVE organization and connection, I’ve always gotten off on the idea of hashtags.  But, they were still kind of mysterious to me.

What are hashtags?  They’re labels people put on posts to connect them to one common theme.  So, if I tweet, “I’m feeling so lazy!  Someone come feed me  #lazybum” and someone else tweets, “Breaking news on combatting laziness with diet  #lazybum,” both of those tweets would appear in a ream of any comments out on Twitter that have been hash-tagged #lazybum.  Not the most compelling theme maybe, but you get the idea.

Hashtags let you connect what you’re saying to all of the other tweets going out about a single topic.

One of the potential results…

 

3)  Relationships and coalitions happen through Twitter

Apparently, Twitter has been a tool for lots of people taking action or sharing valuable information about things they care about to find, build relationships, and collaborate with one another across the country and world.

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4)  Twitter can be a cool real-time organizing tool

We didn’t get too deep into this, but it is true that groups of otherwise disconnected people have been able to organize elegant collective efforts by using Twitter.  Facilitator and core member of Indy Arts & Media Coop Xander Gieryn told of a group which was occupying a school (I think?), and communicated with each other about real-time plans, happenings and changes using Twitter.  From what I understand, hashtags were one of the tools they used–for instance, if one hallway was being blocked, they’d tweet about it and let everyone know to go to the other hallway.

Also, many of us have already heard how instrumental Twitter was in the Arab Spring uprising in Egypt.

 

5)  The mechanics are not that hard

Twitter isn’t that complicated.  It’s a pretty elegant, smart system. Here’s some basics, as I understand them now:

  • Twitter lets you not just to shoot spurts of what you think’s important out to your whole world of followers, but also lets you communicate directly to individual twitter users.  (There may be some other abilities I didn’t quite learn here, but this was definitely useful to me!)
    • When you want to tweet out to the whole world, just write something and post “Tweet.”
    • If you want to acknowledge a specific user or users–say, a friend you know would be into what you’re posting–include their twitter name along with an “@” at the beginning.  Like:   “I feel so lazy! Come bring me food  @kalyn_mae”  Your friend will see this.
    • You can reply to tweets without subjecting all of your followers to that line of communication.  (I used to think that everything you say goes out to everyone. Super confusing and silly, right? Not true!)  To do this, you click the “Reply to Tweet.”  Your response will begin, “@_(name)___” and only they will see it.
    • BUT! You can decide to “break” that link and make your tweet-chat public.  You do this by adding a period  (“.”) at the beginning of your tweet.  For example:   “.@__(name)__  I won’t bring you food, you #lazybum, get it yourself!”  or, more kindly,  “.@__(name)__ is too lazy to get food. Someone help her. My car is dead so I can’t.”

There are a number of other mechanical tips folks shared which are probably easier for me to just post the handy hand-outs below than to try and type them all out manually and risk botching the info completely!

 

6)  You don’t have to follow your followers

Just because you have friends on twitter, don’t feel obligated to follow them.  They may post stuff you’re just not interested in or don’t really want to look at all the time.  Twitter isn’t as touchy as Facebook in that way.

 

7)  The best way to get a following:  Be Yourself.

This was my favorite point of the night — shared at the very end by magnificent Elle, based on her own experience.  I love it because it both relaxed me and spoke to my wish for what I put out there to be authentic, and for my “Strategies” in forwarding whatever I do to be based on authenticity… and not just about my own popularity but about advancing the things I deeply believe in and want to strengthen in the world (strong neighborhoods, inclusiveness, equality, connection).

This was her general summary about using Twitter and, I think, stands on its own as a great conclusion to this blog as well.  I found it encouraging, liberating and exciting:

“The more you get used to crafting tweets — smushing meaningful things into a small space — you’re building your unique voice and building coalitions. That’s how conversations happen. I’ve gone on vacation to Detroit because I met people on twitter.
Really, just be earnest in communicating. Be as comfortable as possible. Don’t try to be anyone other than yourself. That’s how you build a followership.
It all comes back to voice and staying consistent. Tweet consistently, engage with people consistently.”

 

Since the class, I’ve made a point to browse Twitter a couple times a day.  I have found its conciseness refreshing, and have used it to put out my new material as well as to re-tweet (share) colleagues and aligned users’ tweets that I find compelling.

I still want to prioritize face-to-face and, like I did Tuesday night by peeling myself out of my isolated room, peel myself more and more away from my computer and phone screens.  I think our world needs that.  But if I can use this tool to augment the will out there in the world to do that also,… hey, why not?

 

If you want more Twitter tips, check out the material below.  And, please share from your own experiences…

How have you balanced technology with having a healthy amount of real human interaction in your life?   Or used technology to get face-to-face with people?

What’s your relationship with Twitter — Love, Hate, Nonexistent?  Why?

 

HANDY-DANDY HANDOUTS

provided by Indy Art Media Coop

Posted in Building Community, Current Issues, Local Events, Social Justice / Equality | Tagged , , , , , , , , , , , , | Leave a comment

The Season for Waiting is Over

art: April Doner (2004?)

art: April Doner (2004?)

 

Well, Happy New Year, friends!

In February?

Yeah…a bit late, but better late than never.

Late as it may be to do it, I want to open this year of blogging/writing by trying to put into words the big, clanging, stinging-yet-freeing shift that dawned upon me as 2014 wound to a close and made way for 2015.

 

*  *  *

At the end of last year, I felt like a failure.

Together with my fiance, I set off in early December for a month-long jaunt around Florida and Tennessee–a welcome get-a-away, but one I embarked on with a lagging spirit.  I was lower than I’ve been in awhile, feeling bleary and stuck as a stick in deep mud.

The funny thing is, I did a lot of stuff that year!  Like…

  • traveling to New York, experiencing Open Space Technology and building valuable bonds with wild, wise, lovely practitioners new and old (OST is a tool freeing humans beings from our doomed habit of over-planning, over-controlling.)
  • doing lots of graphic recording, photography and experiments in Roving Illustration (storytelling-art-community-building) at that event, and at 2 others–with Juanita Brown and David Isaacs of World Cafe  fame in Tampa, and Grassroots Grantmakers’ “On the Ground” anti-conference.  (galleries comin soon)
  • kicking ass as first-time Lobby Manager for the Sarasota Film Festival–ie.  plotting and directing the flow of hundreds of people through Sarasota’s Hollywood 20 theater for 10 intense days.
  • getting and learning professional photo and video gear, editing software, and desktop publishing beast Adobe InDesign.
  • helping document Broadway Church‘s “Roving Youth Corps” of young folks who spend their summer discovering, celebrating and connecting their neighbors here in Indianapolis.
  • my largest-ever full-day, fully solo workshop on Asset-Based Community Development (FL)
  • sharing asset-based thinking and tools with Dayton’s young River Stewards as the university’s Visiting Artist for University of Dayton’s Rivers Institute in Cleveland, OH.
  • and last but not least…   Meeting and getting engaged to the dashing Trae Carlson, the love of my life.
EngagementPic1_LR

Yay Love! Me and Trae in our neighborhood park. Photographer: me and my tripod.

 

Phew!

That’s a lot.

Writing all this out, I feel some pride, fullness, accomplishment.  But on a deeper level, what I see–and what was dragging me down at the close of last year–is what’s missing from this list.  It’s what I moved here to Indy for, and what I’ve been holding in my heart of hearts as my “True Work” for years now: on-the-ground organizing on the neighborhood level, in my own neighborhood and as a support for others in theirs.

That’s what I care about most.  That’s what I most yearn to see alive in the world.  That is my secret dream and steadfast calling.

So–why didn’t I do that?

To be fair, in some ways, I did.  I met a bunch of neighbors, formed friendships, learned about their gifts and passions…  all necessary and part of the “work” I want to do, and part of who I want to be.

But the great stories I hear my mentor-so-far, Roving Listener De’Amon Harges, and his mentor Mike Mather tell–where connections lead to new businesses, life-changing relationships, golden support in moments of tragedy, neighbor-led, income-producing produce markets?  None of those.  I met some neighbors.  But I didn’t attempt any major connections or host more than a couple meals.

 

Instead, what I did last year was WAITED.

…to be told how to do this from this person I had chosen as my mentor.

…for his, and others’ golden invitations to be a part of the projects I most wanted to join.

…for direction, feedback, assignment, partnership.

 

art by April Doner (2010)

art by April Doner (2010)

Since coming to Indy, I’ve grasped for nuggets of guidance and feedback on my own neighborhood efforts.  Yet without official ordainment that this is my “Role,” my task, my mission from others, none of it felt real.  Meanwhile, I drifted from paying project to paying project, glad to be doing things that relate to the work but always nursing that “fraud” feeling–selling myself as a practitioner of community-building, but lacking a strong practice of my own.

*  *  *

The funny thing is, I got phenomenal advice waaaay back in January about not waiting.

Over steak and pasta at the last dinner of that mindblowing January Open Space  New York gathering, the “discoverer” of Open Space Technology, Harrison Owen, did his damnedest to shake me out of my humble puppy mentality.

He had listened silently as answered that classic, “So what do you do?” question to the nice lady across from me.  My words revolved mostly around De’Amon, the work he’s done, why his approach is so unique and cool, and how honored I am to be learning from him. Suddenly, Harrison put down his cutlery and made one of his characteristically dry, wise and irreverent declarations:

Harrison Owen. Photo by April Doner (2014)

Harrison Owen. Photo by April Doner (2014)

“You don’t need a mentor! Your mentor is the streets.”  He proceeded to tell me his own stories of unplanned, un”ordained” community organizing:  off-the-cuff neighborhood block take-over celebrations, dances for the “rough”-labeled kids, organized ninja style.

“You are a storyteller,” he said.  “So be a storyteller.  I don’t think there are many people who can say no to someone who comes up and asks, ‘What is your story?'”

Harrison’s words jolted my mind and core.  This was such a liberating, demanding proposal.

No mentor?  

Just… do my thing?

It seemed too extreme.  I argued back–at Harrison, and in my head over the year following–about the value of a mentor for doing creative, world-changing stuff.

World-famous choreographer Twyla Tharp argues in The Creative Habit that it is natural, even essential to embrace and emulate great teachers in order to forge our own unique path to creativity and contribution to the world.  While modern Western culture often shuns the idea of giving ourselves over too much as a follower of any one person, this highly original, productive and game-changing woman credits much of her own success to doing just this–literally, bodily mimicking to the tiniest of movements the actions of her choreography and dance mentors.

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Twyla Tharp. Source: google images

 

In the end, she did not lose herself, but rather gained a basis from which to explore and express everything that is uniquely her own.  Examples of tight mentor-student bonds abound throughout history–Socrates and Plato, Helen Keller and Anne Sullivan, and my own mentor at the time De’Amon and his mentor, Mike Mather.

I still believe this to be true.

Yet however right I may be about the need for mentors, this didn’t fix the chasm of sadness and frustration at this particular bond to have fallen short of my hopes.  What was wrong with me, that I had shown up, shown my eagerness, tried to contribute, absorb, learn and collaborate…  and here I was, alone?

*  *  *

"Toda Lake" at Florida Nature & Culture Center. photo: April Doner, 2014

“Toda Lake” at Florida Nature & Culture Center. photo: April Doner, 2014

The glint through the gloom came in the form a three-day Buddhist conference in Weston, FL.  I determined that I would get space from this swamp of turmoil that had become my life in Indianapolis, and some ringing clarity, direction, and new energy.

It worked!

Over those three days, the chanting, chatting, reflecting, and lecture-listening brought a sun out in my heart.

I slowly began to grasp this:  the season for waiting is over.

I have given all I can in this one direction.  I have waited long enough.  To stay standing on the ledge, waiting for the hand to hold while I jump is a losing plan.  I needed to do something that is mine… to step into the lead on something no one had told me to do or how to do… and, well, just DO it!

As soon as I began thinking in this way, everything lifted.  A new buzz began in the middle of my body as I toyed with the idea of what my “it” might be.

What bubbled up: current hero and human-crush of mine, ComicBookGirl19.

cbg19

A gorgeous, sassy, highly insightful and articulate young YouTube star, ComicBookGirl19 (CBG19 for short) crafts a steady stream of highly entertaining commentaries on YouTube–all about things that she most loves to watch and think and geek out about to others.  (I first found her while browsing the web for quality reviews of one of my favorite shows, Game of Thrones).  In doing this, CBG19 has amassed 38k subscribers on YouTube.  She is unabashedly herself.  She also works with a team of friends, equally enthusiastic about their material, collaborates with others who geek out using other talents/mediums, and even uses her own platform to promote independent artists she loves.

I love her because she has gone with what she gets endlessly excited about and, in a steady torrent of full, unabashed authenticity, has unleashed her thinking, creativity, perspective, vision and voice around that thing upon the world.

As CBG19 danced around my head down there in Florida, I began to wonder:

What if I were to give full play to my own torrential enthusiasms?  What if I stopped waiting for someone to say, “We want to hire you to _(insert pre-defined role here)_,” and built and populated my own platform for consistent, authentic expression?  What if I just… let it flow?

What if I did something–something all my own–with regularity, focus, rigor and honesty?

What if I threw off the tense, constant need to match my work with what others in my field are doing or how they’re doing it?  What if I stopped trying to classify myself as Artist OR Connector OR Photographer OR this or that, and just let myself be all of those things at once?

Yes!!!  Yes!

The clouds parted.

 

*  *  *

action!  art: April Doner

action! art: April Doner

 

So, almost two months later, here’s my plan:

1)   Produce *One* (1) Blog Post every day.

Every. Frikken. Day…!

I know now that the only way to break my bad run of fruitless waiting, and the misery that comes with it, is to choose something I can do, and just do it.  And a daily commitment seems the only thing to shake me out of my endless timidity and lollygagging when it comes to output.

How will the rest of it come about–the neighborhood work, the partnerships and structure around those which I so deeply crave?  I DON’T KNOW.  But I know this: that if I don’t do something of my own, where I can trust, polish and push myself, nothing else will ever change.

 

2)  Smash the walls of what the blog should be, setting in place a light feather of a fence around a much wider perimeter.  What comes each day may be a photograph, a neighborhood story, a drawing, a video…  or a painstakingly crafted commentary on something.  I don’t know!  I’m owning the fact that, at this point, my whole self needs to breathe, reach and tumble out without segregation from itself.

Will anybody follow it?  Will it make sense?  I DON’T KNOW.  But I gotta try.

 

how-to12)  Read & Use my dear friend Kalyn’s AMAZING, brand-spakin’ new e-book, How to Set Goals and Smash Themto flesh out the rest of my pathway forwards for this year and maybe beyond.  (Kalyn, like CBG19, is another real-world heroine of mine whose work I recommend if you like to zoom and expand to the max.)

Kalyn Mould of "Shut Up & Do Stuff" source: shutupanddostuff.com

Kalyn Mould of “Shut Up & Do Stuff” source: shutupanddostuff.com

 

 

 

 

 

 

 

 

 

To close, a poem and some questions…

 

From my life mentor, Daisaku Ikeda:

“Your environment does not matter. Everything starts with you. 

You must forge yourself through your own efforts. I urge each of you to create something, start something and make a success of something.

That is the essence of human existence, the challenge of youth. Herein lies a wonderful way of life always aiming for the future.”

 

How does this all relate (or not) to your journey?  How are you living into your purpose, finding direction, doing your own thing… or what’s stopping you?  What have you learned from others about these questions?  Why does it all matter anyway?

 

 

 

* Warning:  Kalyn’s language is refreshingly colorful–including a few f-bombs.

 

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Ferguson, Pt.II: On the Ground

The trip to Ferguson made me deeply confront and reflect on my own role in creating and supporting others to create a more equal, just and loving world.

That confrontation began before the trip even began…

TO GO, OR NOT TO GO?

That was the question.

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I’d read requests from organizers of the “Black Lives Matter” to allow the ride to Ferguson to be a mainly black-occupied space. They also said they didn’t need more people in Ferguson and encouraged folks from out of town to stay home and organize in their own places.  I believe strongly in avoiding “white savior” and helping that is actually harmful, and conversely, in honoring how someone requests to be helped rather than imposing our own idea of what a person or place needs.

But after talking and thinking it over, we decided to go, reasoning that the acts of bringing food, documenting, and simply coming to understand this important and volatile issue (which is not isolated to Ferguson) could be valuable contributions to the effort and, perhaps more importantly, could help us understand the bigger picture and how to be agents of progress.

Also, the voyage wasn’t something we’d just decided to do but rather an opportunity had literally fallen in my lap through the connective powers of friends and, yes, Facebook’s handy friend-connecting interface.

I’ll confess: I was oblivious to the shooting and aftermath for about a week until, after the 30th post from friends crossed my vision via Facebook (yes, I’m horrible about keeping up on the news via normal routes!), I decided to get a grip on what had happened.  It seemed to have many dimensions–so I put out a request to friends for links they felt offered good, semi-objective coverage and analysis of the situation.

Among the responses to my plea for perspective was one from Eric Sarver, a community connector I know from Broadway’s neighborhood, made me smile: “You know April, you’re the kind of person I think of as going down there to see for yourself.”  His words didn’t go much further in my thinking than an initial good feeling until my friend Lynn (also met via Broadway) wrote to connect me with her friend Ellen, who she studies with at Christian Theological Seminary and who was looking for folks to go with her to Ferguson.  When I called Ellen to follow up, I felt a strong heart and mind on the other line.  She shared with me that, with a background in law, she trying to learn how to use that background to further social justice and equity, and hopes to offer her skills in some way to what’s happening in Ferguson and/or locally.

Still not 100% sure about “What was right,” I decided to take the plunge and do it.  My life and the environment all seemed to be urging toward “yes”…  and, on some wider plane, I yearned for the kind of cross-racial alliance like we witnessed in the Civil Rights era, fostered by places like Highlander Institute and non-black activists Grace Lee Boggs.

Ellen (our instigator/driver), Eric Sarver and my fiance, Trae

Ellen (our instigator/driver), Eric Sarver and my fiance, Trae starting the trip with a prayer in the Broadway Church parking lot before we hit the road to Ferguson.

So, early on Saturday morning, Trae and I loaded up the 40 sandwiches we’d made the night before (PB&J and turkey), two cases of bottled water and school supplies donated by our friend Elle Roberts, and headed over to the Broadway parking lot to meet Ellen and, wonderfully, Eric (the friend who’d encouraged me to go down myself!).  Ellen led us in a prayer by Martin Luther King from the book, “Thou, Dear God” Prayers the Open Hearts and Spiritsand we were on our way.

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ARRIVAL

Our drive from Indianapolis was packed with rich, compelling conversation that wandered from religion to the details of the Michael Brown shooting to community building.  We also passed under a bizarre reminder of home — cables fanning down across a bridge over the Mississippi River looked like a winterized version of St. Pete, FL’s bright yellow “Sunshine Skyway Bridge” I’ve driven many times.

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Our friend Elle — a local activist and community-builder in Indianapolis whose outspokenness on all matters of equality inspires me endlessly — had pointed us to the location in Ferguson where we would most likely find some organizing going on.  Knowing that the previous marches had turned to war zones with militarized police and alleged violent reactions from protesters, as well as the fact that a national ride to Ferguson had been organized for this very weekend, we had NO idea what to expect when we arrived.

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As it turned out, we needed very little help from the GPS as we soon spotted people on foot carrying large, brightly colored signs. They were all walking in the same direction in the blazing sun.

 


After passing what appeared to be the center of action, we doubled around, parked, and hit the street.

A crowd had been collecting outside what we soon learned was the police station where Officer Darren Wilson had been stationed when he shot Michael Brown weeks ago.  We saw more signs, both pre-printed and hand-made, with calls for justice, equal treatment of black people by police, and an end to harrassment/racial profiling.  There were also messages of grief and loss about Michael Brown.

I have been to a number of demonstrations in my day–in D.C. against the war, in Italy against anti-immigration laws, in FL for farmworker wage-raises.  I haven’t felt as much of an outsider, nor as emotionally compelled, as I did upon entering this scene.  It probably had something to do with the fact that I was in the racial minority…  but also, and more, I think, with the air that was electric — visually, verbally, in peoples’ eyes and gestures — with a sadness, an anger and a frustration springing from experiences I did not have as a white person living in this country.  Also, given the national ride organizers’ request for it to be a majority-black space, I was not sure if I and my two other white travel companions were welcomed.

Who am I to be here?  

Is my presence dampening the power of this gathering?  

Who might people think I am–especially when I’m taking photos or asking questions?

I coped by reminding myself that these worries and fears were pretty shallow and insignificant compared to the worries, fears, and actual experiences of un-welcome that the people of color demonstrating here (and demonstrating about) endure every day.  I also reminded myself that, in moving through most “mainstream” spaces in this country, and even in media, I usually enjoy the privilege of not being distinctly aware of my skin color.  I told myself to suck it up and stay focused on the original impulse–to be open, present, and supportive–that brought us all down down here to begin with.

 

So after walking around the scene, snapping photos, Trae and I decided to begin getting past the signs and chants and hear some perspectives…

 

PERSPECTIVES

 

1. The Lost Voices  / G.I.B.A.M.

This, too, felt daunting–mainly for the reasons listed above.  So I started with someone most like me…  a young man and woman around my age.  As I’d been hoping to hear perspectives of actual Ferguson residents, I was very happy to learn that the young woman, and the spokesperson for her group she then introduced me to, were both from here–and, not just from here, but core members of “The Lost Voices,” a group which has apparently been active and present–even sleeping outside near this site–since Day 1.

The young man who I first spoke with, an out-of-towner, was here in support of this group and part of a grassroots network called “GIBAM.”  (I had some camera malfunctions so unfortunately missed the beginning of what he told me.)

Here’s our conversation:

 

 

2. Jordan

We headed over to see the “front lines,” where police had formed a row along the lines of the parking lot, with police tape lined between themselves and the crowd.  The anger was perhaps most palpable here, as demonstrators both white and black expressed their frustrations with body language — kneeling on the pavement with hands in the air — and words.

I caught eyes with a young man, about 13 or 14, and started up a conversation.  It struck me with the strange kind of balance (or tension) he expressed between hopefulness and commitment, and hopelessness for real change:

 

 

To Be Continued…

 

 

 

 

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Ferguson, Pt. I: My Conundrum

 

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This blog is hard to write, which is in part why it’s taken me one week to do it…  And, I’m taking my discomfort and sense of being overwhelmed by this task as a sign that it must be done.

One week ago, I travelled with some Indianapolis friends and my fiance down to Ferguson–the site of teenager Michael Brown’s controversial shooting, days of protest by the black community there, and the subject of national attention and, it seems, starkly split opinions.

The Ferguson incident and all the experiences I’ve had around it up until now still tangle up in my mind, so I’ll do my best to present this in a way that makes sense, does justice to the subject and subjects.

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I want to begin with some context on race, racism in the U.S., and my own experiences with and feelings on the topic. In the following post, I’ll share the variety of people, perspectives and insights we encountered on our journey through words, pictures and videos.

*  *  *

Issues around oppression, social disparities and inequality have always been close to my heart.

ButterflyDevil

Now, I’m a white girl raised with plenty of privilege. My doctor Mom and mathematician Dad, while never spoiling me, provided me with a lot of opportunities and financial support.  I had mostly white friends at school and lived in a white neighborhood.  My own lack of actual experience on the other side of the race line always makes me hesitant about speaking about racial issues, despite the fact that they are pretty much always on my mind.

But, what I’m realizing is that this “saying something,” and swallowing the fear that usually holds me back, is one of the most powerful things I can do to actually address the issue and help us move forward as a people toward greater unity, equality and justice.

The first memory of the race/income divide I can recall was when I was a very young girl growing up in Florida.  It was a small incident, but sharp, intense and–perhaps more importantly–repeated many, many times.

To get from our tiny little town of Grant up to where the action was in Melbourne, my mother would drive North up US-1, along the ever-gray Indian River, and cut West into the heart of Melbourne along University Blvd.

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University ran along the Northern border of Melbourne’s one and only “black” section (there’s very little integration there).  Every time Mom would take that left, without exception, she’d lock the doors.

She said nothing.  But when the “clunk” of those locks sounded on all four doors of the car, a singular kind of pain and anger erupted in my chest and mind.  Her impulse made no sense to me, and it felt wrong.  My rage took form in my quick, defiant unlocking my door.

For whatever reason, ever since those car-rides and door-locking in Florida, I’ve been noticing a thick, insidious divide between black and white people… including the attitudes I’ve been encouraged–often not intentionally–to hold about people who are black. In college, I sought out validation for the discomfort I felt with what I’d been told, in ways often more subtle than my Mom’s door-locking, but sometimes not-so-subtle (ie. that welfare recipients, mostly black, are lazy leeches on society, many of whom create their own situations through poor decisions and a deficient culture; that black men are dangerous and to be avoided; that everyone has an equal opportunity in this country, and anyone who says differently is just complaining, trying to blame society for their lack of ambition, skill or willingness to work hard).

In Sociology class, I devoured books like Ain’t No Makin’ It, Living with Racism: The

source: http://violalasmana.net/

source: http://violalasmana.net/

Black Middle Class Experience, My pre-college reading of Richard Wright’s Black Boy gained depth with the rich, resounding works of Toni Morrison (Beloved is my favorite) in one literature class. I gravitated toward the black section of my then-home of Sarasota, FL, using my school projects as an excuse to get to know the people who lived there who I had been discouraged (mostly unintentionally) by my upbringing not to seek out–young people, people living in public housing, community activists.

 

RWrightBlackBoy

 

And more and more, my impression that racism is real, yet most of those not immediately touched by it are in denial of this fact, has been nothing but reinforced in my years of life since then–especially as the number of relationships with people of color has grown in my life and I’ve found myself both working and living in mostly black neighborhoods.

My Mom was present when I shared my University Ave. story with about 50 people at a community-building workshop two years ago.  Later in the workshop, she stood and told everyone that, in her defense, she was not trying to be racist–and, in fact, her mother was one of the most equality-minded and -acting white women she knew in her town when she grew up.  Rather, she was reacting to real potential danger and coming from a place of wanting to protect her child.

In this dynamic — my angered sense of “wrong,” and defiant (though tiny) action to reverse that wrongness; my mom’s original fear, protective action, and eventual defensiveness around that action — I find parallel with the tense, painful, and seemingly unyielding dynamics that keep erupting with increased anger and polarization in this country.

As Ferguson has risen to the national consciousness, I find myself again in the uncomfortable position of knowing two things at the same time. I know that my internal instincts for “wrongness” (and that of hundreds of others regarding Ferguson, and other similar stories) warrant attention and action.  I also know that the people perpetuating what feels wrong to me and others, with often small (Mom locking doors) but sometimes not-so-small (Darren Wilson shooting Michael Brown) daily actions, are very possibly not, in their mind, coming from a hurtful or hateful place.

I also know that to simply see both sides is not, in itself, a solution.  Yet, the simultaneous holding of these two truths seems such a rare thing in public discourse around Ferguson or race and equality in our current polarized culture.

My anguish–and my hope–lie in the pressure I feel to be an effective bridge… somehow…  between these two worlds.

So, in hopes of this, here’s my Ferguson story.

 

Part II:  On the Ground

 

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Ferguson: First Batch (thoughts + photos)

A few images from our trip to #Ferguson yesterday. More to come (including video interviews). For now, I wanted to get these out there before too much more time went by.

To briefly summarize my experience:

Safe to say that many views on the issue and the solution were present, but what moved me most was the will to stand up for what people feel is right and needed for the sake of human dignity and ultimate peace in this country. My prayers are to find how I can act, speak, see and live in a way that carries us forward and can provoke understanding among the majority of how real nonwhite folks’ grievances are about their everyday encounters with prejudice, and the need for some massive healing.

 

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Heading to Ferguson…

my lovely Trae making sandwiches for Ferguson folks...

my lovely Trae making sandwiches for Ferguson folks…

heading to Ferguson tomorrow…

After a lot of thought, reflection, and conversation about whether it’s even appropriate or helpful for me to go, I’ve given in to my deep urge to hop in the car with friend-of-a-friend Ellen, along with my fiance’ Trae, and head down simply with the gut orientation not to add to any pain or tension but to be of support and to be a witness.  Trae and I are headed to the store in an hour to pick up makings for sandwiches and, along with Ellen, will be bringing water, and some donations from friends up here (which they asked us to carry as soon as we mentioned our plans…  pretty cool how support mushrooms through relationships.)

I plan to document with photos, writing and some video the voices of people down there. Have found these articles really useful so far.

I’ve been doing a lot of thinking about the situation and what can be done, starting with me, to catalyze a new day for us all in which black people can feel safe, respected, heard, powerful and equal in this country–the bigger issue I believe all of the protesting and heated language is really about, and which needs sorely to be addressed.

So until I can take the time to crystallize my own core thoughts on all of this, I wanted to share SOMETHING, and my foray yesterday through various articles as well as a visit to a planning meeting held by local group “Indy 10,” have given me some useful stuff to chew on.

As I post these, I realize I’ve gravitated toward white writers, so not sure what to do with that other than noticing that all too often, white people allow issues like the Ferguson case to be a “Black People” issue, despite its underlying human rights importance. As the saying goes, “When they came for the Jews, I said nothing because I wasn’t a Jew” ends up with those of us most privileged and un-targeted all alone with no one to stick up for us because we weren’t willing to see how injustice to anyone is an injustice to us as well, and weren’t willing to risk conflict with our friends/family by speaking up.

Enjoy!

[THANK YOU to everyone who pointed me toward useful news/commentary sources on this important event (Elle RobertsMaynard HissSusannah JoyceEric SarverLeah KateTin Comet Coffee) — and THANK YOU Corinne Ocello for asking me to share what I found!! (such a good reminder to always share learning, keep it flowin…

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African-American police officer: Ferguson ‘heart wrenching’

Jstewart

John Stewart on Ferguson and Race

 

 

boy_flagWhite privilege: An insidious virus that’s eating America from within

 (Credit: Prixel Creative via Shutterstock)

Police-Shooting-Misso_Acco4-1024x670-300x196Ferguson: Taking Steps to Support a Path Forward

 

 

 

 

(photo: Carly Mydans / Library of Congress)

(photo: Carly Mydans / Library of Congress)

(and for some good, info-packed, bigger-picture reading,…)

The Case for Reparations

by Ta-Nehisi Coates

 

 

 

 

Sandwich up!

Would love to hear your thoughts, stories, hopes, ideas, etc.

photo 3

 

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